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I saw Broken Lance (1954) a western starring Spencer Tracy, Robert Wagner and Richard Widmark. A good western but not in the same league as Tracy's next western Bad Day at Black Rock.

 

In Broken Lance, Spencer Tracy's wife was played by Katy Jurado. A photo of Katy Jurado does not appear on the IMDB website so:

 

Katy Jurado was a Mexican actress although she played an Indian in this film though with her Spanish looks was called Senora. She appeared in quite a few notable American films such as High Noon. Her IMDB biography is one of the more interesting biographies and could be made into a film.

El Loro
Originally Posted by El Loro:

As I has Gentleman's Agreement (1947) on DVD and hadn't seen it before I decided to watch it and give it the same rating as Jackassfan.

 

It was my first viewing as well and after seeing it i am very surprised it won an oscar for best film

J

I think that when Gentleman's Agreement was released it would have had a much greater impact then. Although its message is still relevant, it would need to be made in a different way to have much impact and would have to consider all faiths and prejudices without being over politically correct but not being afraid of speaking out and at the same time not being over preachy (which would need a very capable writer, director and cast).

El Loro

I saw Ponyo (2008), a Japanese animated film from the Ghbili studio. The version I saw was the Japanese original with English subtitles done via Walt Disney. The credits at the beginning and end were for the English dubbed version which was momentarily a bit confusing.

 

It is a children's film, a fantasy, but certainly watchable for adults. Although not a perfect film, it does have some scenes of astonishing beauty. There is a scene where Ponyo rises to the surface of the ocean and runs on top of the waves after a car with her friend in on the road by the shore, this is done to music which recalls Wagner's Ride of the Valkyries. That scene transcends a good film into something very special - a real sense of wonderment.

 

El Loro

I saw Carl Dreyer's The Passion of Joan of Arc (1928). This is a film which is unavailable on DVD in the UK. Although it is available in the States that would be on a region 1 DVD and I wanted to play it on my DVD player.

 

I contacted the British distributor who holds the rights in the UK and they said that they were waiting for an appropriate music score for the film. The film is of course silent and no music was made for the film at the time it was made by Dreyer. He is on record for saying that there should be no music for the film.

 

The film was for many years lost until a copy was discovered in a mental institution in Oslo. This was restore in 1985 into the version which was released in the States and elesewhere with a music score by Richard Einhorn, This version runs for 82 minutes and is as close to being the original which ran for around 110 minutes as it is possible to be. Although half an hour is missing, it does diminish the film, merely to condense what in reality took place in more than 3 weeks into almost continuous time.

 

I discovered that the South Korean DVD ran on Region 2 players and had English subtitles as well as Korean. I therefore imported a copy via the States.

 

I have had the DVD for over a year but waited until I felt the time was right to watch it. There are obvious parallels between the passion of Christ and this film and as I would not be able to see it on Good Friday I decided to watch it during the season of Lent. I turned my answerphone on, turned off the light and watched the film without the music.

 

Maria Falconetti was a stage actress. Although she had made a couple of films a decade before, this is the film which she will always be remembered for. She never made another film. In the film she is listed as Mlle Falconetti (Mlle standing for Mademoiselle) and she is generally referred to as Falconetti for the stature of her performance.

 

Quite rightly her performance is regarded by many as the greatest performance in the history of film.

 

A genuine 10/10 film.

El Loro

I resaw All about Eve (1950) starring Bette Davis, George Sanders, Anne Baxter and Celeste Holm. A strong contender for the best screenplay of all time. Not surprisingly, the film holds the record for the most women nominated for an Oscar - Thelma Ritter was the fourth. None of them won.

 

Marilyn Monroe also appeared in the film. Earlier in the same year she appeared uncredited in Ticket to Tomahawk which starred Anne Baxter.

El Loro

I saw Dorian Gray (2009) starring Ben Barnes as Gray, Colin Firth and Ben Chaplin. Reasonably faithful to the book and moderately interesting. Rebecca Hall as Firth's daughter (which is a departure from the book) is the best of the actresses. 

El Loro
Originally Posted by jackassfan:

One of the best B movies ever made. The first time I saw it was probably in the 1960s. BBC on Saturdays used to have a series of film noir films - this being one of them, and other times a series of Westerns.

El Loro
Originally Posted by El Loro:

I saw Coco avant Chanel (2009) starring Audrey Tautou. It was fair but I thought that Seraphine (2008) which was another French biopic was a much better film.

 

 

Seen both 0f them and i agree that Seraphine is a much better film

J
Originally Posted by pirate1111:

new film out called the divide a post apocalyptic (which i think ive spelt wrong) movie

gonna give it a look in a bit

i'll let you know

it was pretty good

makes you think

worried me a bit lol

pirate1111

I saw The Shootist (1976), John Wayne's last film. I hadn't seen it before as I had assumed that it would be rather depressing being a western about a man with terminal cancer spending his last few days. I was wrong. Although the end is inevitable the film was surprisingly enjoyable and was a very good film. Quite a lot of cameos from actors, the most famous being James Stewart. The most significant roles other than Wayne's was for Lauren Bacall and Ron Howard in probably his best film acting role.

 

One of the cameos was from Rick Lenz. A photo of him from The Shootist:

Other have commented that he almost looked like a young James Stewart.

El Loro
Originally Posted by jackassfan:

I had to check that this wasn't the Ewan McGregor/Scarlett Johansson version but that came out in 2005 - somehow I don't think you would have given that film a 8/10 rating

El Loro
Originally Posted by El Loro:
Originally Posted by jackassfan:

I had to check that this wasn't the Ewan McGregor/Scarlett Johansson version but that came out in 2005 - somehow I don't think you would have given that film a 8/10 rating 

 

You are right  

I rated that film 5/10

 

J

I resaw Escape from Alcatraz (1979). A good straightforward prison escape drama and the last collaboration between Donald Siegel and Clint Eastwood.  Eastwood learned much from Siegel in his directorial abilities.

 

Danny Glover made his debut in this film as one of the inmates.

 

El Loro

I saw Dreams That Money Can Buy (1947). This was an experimental film directed by Hans Richter based on paintings from several people from the surreal art movement such as Man Ray, Max Ernst and Marcel Duchamp.

 

It's a segmental film linked together by Joe as the man who creates the dreams for his clients. One of the segments has music written by John Cage. Another has music written by Paul Bowles who also wrote the book The Sheltering Sky which was filmed by Bernado Bertolucci.

 

Experimental films are generally so obscure that the average film viewer would be bored stiff but this film is surprisingly watchable. One segment in particular The Girl with the prefabricated heart is the standout and has a humerous touch to it. Another segment involves animated models made from pipe cleaners and I would not be surprised if it was the inspiration for Tim Burton for Nightmare before Christmas and Corpse Bride.

 

The film can be seen on Youtube:

http://www.youtube.com/watch?v...&feature=related

 

El Loro
Originally Posted by El Loro:
Originally Posted by jackassfan:

Never having heard of this film and being intrigued by your rating I thought I would find out what the film was about and found this review:

http://www.criticaloutcast.com...f-me-forgive-me.html

A score of 2 sounds a bit on the high side.

 

I think i might of rated it too high, i might actually change it to 1/10 

J

I resaw The Edge of the World (1937). It's quite a good film made notable as being the first film directed by Michael Powell where he was given the scope to make something he wanted rather than just being a routine director. It's a drama set in the Scottish Shetlands and it must have been close to Powell as 40 years later he returned to make Return to the Edge of the World.

 

As a point of trivia, the Englishman who visits the island in the prologue to the film is played by Michael Powell. The woman with him is played by Frankie Reidy. She was Powell's girlfriend and later married him. You won't find any mention of that on IMDB but it is in Powell's brilliant autobiography.

 

Many years later they played the parts of the father and mother to the psychopathic murderer in Powell's Peeping Tom. These were in the flashback scenes to the murderer's childhood and one of their sons Columba played the young boy.

 

El Loro
Originally Posted by jackassfan:

Possibly the best of any of the films made from Agatha Christie's books. Of course the title is the modern title as with the book as the original title is now unacceptably racist.

El Loro

I saw a double bill of Henry Fonda films. The first was Advise & Consent (1962), a political drama surrounding the Senate hearings interviewing a proposed Secretary of State. A good serious film with a fine group of actors besides Fonda, Walter Pidgeon, Franchot Tone, Lew Ayres and Charles Laughton in his last role. Also Peter Lawford, Burgess Meredith and Gene Tierney.

 

This was followed by The Cheyenne Social Club (1970) which also starred James Stewart and it was directed by Gene Kelly. Possibly watching this after Advise & Consent was a mistake but I got nothing out of this film.

Gene Kelly was an odd choice for what was supposedly a comedy western. I would have thought that Burt Kennedy would have been more appropriate.

 

El Loro
Originally Posted by jackassfan:

That and Hitchcock's next Topaz are two disappointing films from him. His last two Frenzy and Family Plot are considered better, Family Plot being one of his more light hearted films. I remember reading somewhere, possibly in Truffaut's book on him, that in the latter part of his career he had considered making a film which was so extreme in nature that it would get banned almost everywhere - of course it never got made.

El Loro
Originally Posted by El Loro:
Originally Posted by jackassfan:

That and Hitchcock's next Topaz are two disappointing films from him. His last two Frenzy and Family Plot are considered better, Family Plot being one of his more light hearted films. I remember reading somewhere, possibly in Truffaut's book on him, that in the latter part of his career he had considered making a film which was so extreme in nature that it would get banned almost everywhere - of course it never got made.

 

 

I have seen Frenzy and thought it was a very good film, have yet to see Topaz and Family Plot

J
Originally Posted by jackassfan:
 

I have seen Frenzy and thought it was a very good film, have yet to see Topaz and Family Plot

I've seen both Topaz and Family Plot. I didn't think Topaz was worth watching. Family Plot is a PG rated black comedy which, although not one of Hitchcock's better films is still worth watching.

El Loro

I saw The Magnificent Seven (1960) which was one of most popular westerns ever made with one of the best known main music themes in films. I assume that this is the first well known film to be a remake of a Japanese film though don't hold me to that. Having seen The Seven Samurai as well, the original is the better film.

El Loro

I saw Detective Story (1951), a fine film directed by William Wyler and starring Kirk Douglas. An ensemble piece set virtually entirely in a police station, and almost real time. Set the standard for many American police television series in later years such as Hill Street Blues.

 

Virtually the film debut of Joseph Wiseman (Dr No) as a psychotic thief and Lee Grant as a shoplifter. For many years after Detective Story Lee Grant was blacklisted and didn't to return to films for a long time. Her main suceess was in Shampoo (1975) when she won the Best Supporting Actress Oscar. She also directed many television films and documentaries and has been recognised for her work against domestic violence. 

El Loro
Originally Posted by jackassfan:

Abbas Kiarostami, the writer and director of the above, also wrote The White Balloon (1995) which was directed by Jafar Panahi who is still in prison in Iran. AK has spoken out against this. His last film was made in France and has been making a film in Japan. Needless to say his films are banned in Iran.

El Loro

I saw The Conqueror (1956). Not a great film but not as dreadful as the IMDB rating of 3.1 suggests. Of course John Wayne as Genghis Khan was a strange choice, and not this isn't the type of film one associates with Dick Powell who directed it. The story is simplistic, the dialogue isn't great, but it wasn't boring and I've certainly seen films which are a lot poorer. The film is also notorious for having been filmed in part of Utah which had previously been used for A bomb testing and that in years to follow many of those involved died from cancer.

 

Highlights(?) of the film including a dance by a woman from Samarkand.

El Loro
Originally Posted by jackassfan:

Classic Ealing comedy. My own list of favourites from top downwards would be:

The Man in The White Suit (1951) which manages to combine satire with poignancy. Alec Guiness at his best.

The Ladykillers (the 1955 version) again with Alec Guiness. Katie Johnson - the role of a lifetime.

Kind Hearts and Coronets (1949) yet again with Alec Guiness, but this time in 8 roles

The Lavender Hill Mob (1951) and yes, Alec Guiness again. I love the chase down the Eiffel Tower sequence.

And then Passport to Pimlico without Alec Guiness.

Whisky Galore, The Maggie and The Titfield Thunderbolt good, but not outstanding.

To me The Man in The White Suit is in a different league from the others. I don't have a list of my top 10 best films but if I did that would definitely be in my list.

 

El Loro
Originally Posted by El Loro:
Originally Posted by jackassfan:

Classic Ealing comedy. My own list of favourites from top downwards would be:

The Man in The White Suit (1951) which manages to combine satire with poignancy. Alec Guiness at his best.

The Ladykillers (the 1955 version) again with Alec Guiness. Katie Johnson - the role of a lifetime.

Kind Hearts and Coronets (1949) yet again with Alec Guiness, but this time in 8 roles

The Lavender Hill Mob (1951) and yes, Alec Guiness again. I love the chase down the Eiffel Tower sequence.

And then Passport to Pimlico without Alec Guiness.

Whisky Galore, The Maggie and The Titfield Thunderbolt good, but not outstanding.

To me The Man in The White Suit is in a different league from the others. I don't have a list of my top 10 best films but if I did that would definitely be in my list.

 

 

 

I have seen The Lady Killers, Lavender Hill Mob, Kind Hearts And Coronets, and Whiskey Galore and all are great

 

Have yet to see Man In The White Suit

J

I saw The Naked Spur (1953) a western directed by Anthony Mann and starring James Stewart, Janet Leigh, Robert Ryan, Ralph Meeker and Millard Mitchell. That's the complete credited cast though there were Indians for a few minutes. Stewart is a bounty hunter on the trail of Ryan who has been looking after Leigh. He meets Meeker and Mitchell on the way who decide to assist him in capturing Ryan in order to share in the bounty.

 

The film was shot in Colorado and the Rocky Mountains are very much part of the scenery.

 

It's one of those films where greed takes over and Ryan's character uses that to try to turn the other men against each other. It's as close a film as Stewart got to playing an anti-hero. If the film was to be made now it's the sort of film that the Coen Brothers might make.

El Loro
Originally Posted by jackassfan:
 I have seen The Lady Killers, Lavender Hill Mob, Kind Hearts And Coronets, and Whiskey Galore and all are great

 

Have yet to see Man In The White Suit

The Man in the White Suit is directed by Alexander Mackendrick who also directed Whisky Galore and The Ladykillers. It's a seriously good serious comedy. And the material that the Guinness character invented in the film - the idea is still being worked on now by scientists so the film has lost none of its relevancy.

El Loro

I saw The Man Who Knew Too Much (the 1956 remake rather than the 1934 original). Starred James Stewart and Doris Day. Although a good film, I don't rate this as a top Hitchcock film, possibly because Doris Day wasn't a typical Hitchcock heroine.

 

At the start of the film is a shortened version of Arthur Benjamin's "Storm Cloud Cantata" culminating in the crash of cymbals" and the words "A single crash of cymbals and how it rocked the lives of an American family". Near the end of the film is the assassination sequence in the Royal Albert Hall where Bernard Hermann (Hitchcock's main composer) conducts the cantata which goes on for several minutes culminating in the climatic crash of cymbals and the gun shot. But the events which rocked the American family occurred well before that scene.

 

The cantata was written for the original film and has s similar sequence in the Royal Abert Hall. But in the original film, there is no equivalent opening scene.

El Loro

I resaw Sullivan's Travels (1941) starring Joel McCrea and Veronica Lake. Directed by Preston Sturges. He made many good films but this was his best film and is one of the few comedies which can be regarded as a great film,

 

The scene where the prisoners shuffle along in chains going into the church where the black clergyman leads his congregation in singing "Let My People Go", he welcomes the prisoners telling his congregation that these prisoners shouldn't be regarded as less equal than themselves, they sit down to watch films. The one we see is from the Disney cartoon "Playful Pluto" and everyone starts to laugh. This scene goes far beyond comedy and is one of the great scenes in films. It is also worth remembering that at that time, racism was rife in the States which makes this scene even more remarkable.

 

The film which the McCrea character had intended to make was called "O Brother where art thou" which of course is the source for the Coen Brothers film.

El Loro
Originally Posted by El Loro:

I saw The Man Who Knew Too Much (the 1956 remake rather than the 1934 original). Starred James Stewart and Doris Day. Although a good film, I don't rate this as a top Hitchcock film, possibly because Doris Day wasn't a typical Hitchcock heroine.

 

 

I prefer his orginal 1930s film

Doris Day annoyed me in the remake keep singing that awful Que Sera Sera song

J
Originally Posted by jackassfan:
Originally Posted by El Loro:

I saw The Man Who Knew Too Much (the 1956 remake rather than the 1934 original). Starred James Stewart and Doris Day. Although a good film, I don't rate this as a top Hitchcock film, possibly because Doris Day wasn't a typical Hitchcock heroine.

 

 

I prefer his orginal 1930s film

Doris Day annoyed me in the remake keep singing that awful Que Sera Sera song

I know what you mean. It's one of those songs which is so famous that everyone knows it even if they've never seen the film. At first Doris Day refused to record the song for release as she said that it was just a children's song. I think that the second time she sings it in the film she duplicates some of the verses in order to make it longer.

El Loro

Two films:

 

I saw The Last Mimzy (2007) which is a family fantasy film, closer to Escape From Witch Mountain rather than ET. Not a bad film.

 

I also saw Bye Bye Birdie (1963) which was a comedy musical with Dick van Dyke, Janet Leigh and Ann-Margaret sort of based on when Elvis Presley was drafted not that the film had anything to do with Elvis Presley. I thought it was dreadful and as bad a film as I have ever seen. There were bits of the film which were OK but not enough to compensate for the rest of the film.

 

El Loro

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