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I know what you mean Prom but pretentiousness was definitely the done thing at the time.  TBH, I miss that art school pretentiousness that was a common feature of Bowie, Roxy Music and a whole load of synthesiser based bands at the time.  In a way, I'd rather bands have pretentious, arty instincts and ambitions instead of dumb themselves down and pretend to be all street or earnest musicans .  I think that pretentiousness led to musical experimentation rather than mostly meat and potatoes dross like Oasis, the Manic Street Preachers, Razorlight and the Stereophonics, so-called alternative music that has been popular over the last 10 or so years.
Carnelian
Japan's version of "I Second That Emotion" was a great rendition.  I slightly prefer the Smokey Robinson version.  It's a great song but the Smokey Robinson version is a bit routine Motown-ish.  The Japan version (to use a tired old clichÃĐ ) makes it their own.  Both versions stand up as classics but for different reasons IMO.
Carnelian
Reference:
I think that pretentiousness led to musical experimentation rather than mostly meat and potatoes dross like Oasis, the Manic Street Preachers, Razorlight and the Stereophonics

I hate every band mentioned there with a vengeance, moreso Oasis than the others though the Manics are just so B.A.D. I am amazed they ever performed live and escaped alive. 

It was definitely the done thing back then. I was in a goth band and we were surrounded by dry ice on stage which of course wasn't pretentious at all . But David Sylvian's vocal delivery was just painfully contrived they were the band I loved to hate I suppose.
Prometheus
Sorry cologne, we agree on most things and I usually respect your views as being spot on but the Manics are and always have been dull artisans and slogan happy mediocrities. If I want to listen to left wing slogans in my music, I'll listen to 80s band The Redskins, who were for their short period, more radical and better song writers/musicians.
Carnelian
I was surprised how gutted I was to hear about Mick Karn dying.  I was never really too much into Japan (didn't like Sylvian's voice or haircut) and I followed Dali's Car a bit (because they were only for a bit) because I was a big bauhaus (and therefore Peter Murphy) fan.  No, not fan, devotee.  I must say I also bought Love and Rockets out of fairness to Daniel Ash.



What, if I'm honest, Mick Karn meant to me as a young girl in the 80s, is he was the thinking adolescent girl's guide to gorgeousness.  The shaved eyebrows and eye make up were powerful to a hormone driven youth.  If you look at pictures of him, he flipping styled the 80s, he was sharp as f*ck.  I mean, he could look really sharp.








fracas
fracas, As a straight man I have to admit that Nick Karn was a good looking guy back in the day, although I never shaved my eyebrows and was more into the 2 Tone thing at the time. I forgot about the whole shaved eyebrows thing and remember a few girls at school doing likewise.  I was really into ska and then Japan's "Quiet Life" came out and I thought it was one of the best things I'd ever heard (along with Bowie's "Ashes to Ashes" and Tubeway Army's "Are Friend's Electric".  The image was a bit camp for a reserved young teen at the time, but I loved that band!  Mick Karn RIP
Carnelian

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