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Originally Posted by KaffyBaffy:

Hi Erin - I think Carrie voiced her suspicion about him way back to Saul when he was first put in charge of the operation?  Can't quite remember the detail, but I know I wasn't surprised last night that he was being investigated, so it must have registered somewhere in my brain.

Cheers for that

FM
Homeland  has trodden a painfully fine line between willing suspension of disbelief and  just plain ludicrous this season. It's been finer in some episodes than others - Brody sending  a warning text message to Abu Nazir from inside the Pentagon, or being sent  on dogsbody errands by Nazir at the expense of his crucial political career.
But the character writing has by and large been strong enough - and the  performances potent enough - that the occasional far-fetched beat hasn't been  hard to overlook. This week's episode was the first that seemed to cross over  from "Really?" into full-blown "Oh, come ON" territory.
Homeland S02E10: 'Broken Hearts'

ÂĐ Showtime

First up, we had Brody taking a Skype  call from Abu Nazir while inside his CIA safe house; a call that culminated with  Brody shouting "NAZIR!" again and again and again in a big, echo-filled  apartment a few doors down from his security detail. Sure, okay.
Then,  Brody was able to get into Walden's office by faking a trip to the bathroom,  stay in there for roughly 20 minutes without any one of the 15 security guys  downstairs becoming suspicious, and have another long, not especially quiet  phone conversation with Nazir about how much he hates Walden. Right.  Fine.
Then a kidnapped Carrie is let go by Nazir, despite the fact that  he has nothing but reasons to want her dead, because Brody swore on Isa's soul.  We understand that Nazir's defined by his faith, but there's faith and then  there's just being a really, really inept terrorist overlord.
And then  Carrie, having miraculously escaped a bullet to the head, actually goes back  into the rabbit hole armed only with a pipe, presumably in the hopes of finding  Nazir andâ€Ķwhat? Whacking him on the head with the pipe? Persuading him to turn  himself in? Seducing him? The man has a gun and does not care  whether he lives or dies.
This final moment was so patently absurd  that we've only managed to come up with two possible explanations. One: Carrie's  still suicidal following that attempt in 'State  of Independence', and thus was unfazed by the prospect of certain death.  Two: the traumatic double whammy of getting broadsided and abducted by Nazir has  sent her into another manic episode, much like last season with the bomb, and  she was in a semi-delusional state. We sort of like the latter idea, although  we're not sure how much sense it makes from a psychological point of view.
It was interesting to see Carrie captured, since she's never been in  jeopardy to that extent before (last season's bombing was never really designed  to make us worry for her). But her one-on-one with Abu Nazir, when it finally  came, didn't have anything like the impact it should have. Nazir has never  interacted with anyone outside of his circle on screen before, and there was an  opportunity for some really fresh, really surprising writing in this face-off  between sworn enemies.
Instead, their entire "Who's the terrorist?"  exchange felt vaguely hackneyed, revealing nothing much about either Carrie or  Nazir. It's hard to believe that this episode was penned by Henry Bromell, whose  last script was the subtly-written and incredibly revealing 'Q&A'. But there  was a thematic tie-in to that episode, when Carrie asked if Nazir was trying to  use the same techniques on her that he used to break Brody: "a lot of pain, a  little love."
Homeland S02E10: 'Broken Hearts'
Brody, meanwhile, gets sent on yet  another ambitious mission by Nazir: in order to keep Carrie alive, he has to get  the serial code for Walden's pacemaker and pass it to Nazir. We've already  covered the variously ludicrous elements of this plot, but the pacemaker hacking  itself actually has some basis in reality, and the idea of a  human kill switch is a chilling concept that feels relatively fresh.
Walden's death scene was easily the most effective in the episode; the  hatred in Brody's eyes just burning as he watches Walden collapse, the gradual  realisation that he's going to let him die, and the final hiss of "I'm killing  you." Walden really did nothing to help himself with the "bunker buster"  revelation just before, but however much we as an audience dislike Walden, it's  yet another human life Brody has (indirectly) taken.
This episode also  confirmed once and for all that Damian Lewis is much better with quiet internal  torment than he is with loud, hysterical emotion. Perhaps because so much of his  plotline stretched credibility to beyond breaking point, there were several  moments that just rang false, and we were left mostly feeling that he should  leave the bug-eyed mania to Claire  Danes. This wasn't an episode that played to his strengths,  although his maniacal grin as he watched Carrie get away was a weird highlight.
The Brody family otherwise didn't get much of a look-in this week,  although we did see Finn attempting to relight Dana's fire, and her declining in  her usual monotone. At least she got to utter a classic line of terrible,  overwrought teenage dialogue, where she explains that they can't rekindle their  romance because "we killed it. Just the same way that we killed that woman".  Deep, man. Deep.
Homeland S02E10: 'Broken Hearts'
And back at the CIA, Estes's  transformation from douchey into genuinely sinister came to a head. Thanks to a  conversation over waffles with black ops vet Dar Adal, Saul figured out what  Quinn and Estes were planning, and made it clear to Estes that he knew. Estes  responded by having some mysterious men detain Saul in the final moments of this  episode, saying only that he's "needed downstairs". And for all the silliness  that had come before, the unsettling quality of this moment combined with  Walden's death scene allowed 'Broken Hearts' to bow out on an intriguingly  disturbing note.

Final thoughts: - "Sometimes when  you're breaking a man, an emotional transference takes place. With Nicholas, it  was quite powerful." One commenter pointed out last week that Brody and Nazir's  relationship is borderline homoerotic, and while we weren't quite seeing it  then, this particular line of dialogue certainly did nothing to dissuade  us. - Jess and Mike had a really sweet moment just before Brody came in, with  Jess admitting that she was still waiting to feel guilty. Really, why should she  at this point? The Brody marriage has plainly been a sham for months, and she's  got to be at least semi-certain that Brody's sleeping with Carrie again. It's  about time these two just cut their losses and admitted they're done. - "Hey  dad, are we gonna finish this game of hearts?" Okay, Chris's uselessness has got  to be an intentional thing at this point. Is he being set up for a huge reveal  whereby he's actually the mastermind behind everything? We were half expecting  Carrie to go through that darkened doorway in the mill and discover... Chris  Brody. Playing cards. Laughing maniacally. - You have to admire Dana's  resolutely disinterested reactions to everything happening around her. "Turns  out my dad's a super spy, and terrorists wanna kill him, or some s**t..." she  murmurs, in a bored half-slurring monotone. Is she back with Xander? And by that  we mean, is she back on the weed? - So now we know why Estes wants Brody dead  - it's to cover up the drone strike, about which they suspect Brody won't stay  silent once he's set free. But with Walden dead, Estes is going to need some new  priorities; presumably, he'll be trying to prove it was Brody that offed  him. - We knew something terrible was about to happen the minute Carrie  turned on the Jazz of Doom. Try some Top 40, woman!

(DS)

I enjoyed tonights episode .

FM
Originally Posted by KaffyBaffy:
Originally Posted by Sezit:

Ells. I've seen it.It is just WOW! *Zips gob* 

they were talking about it on the radio this morning - the presenter said that nobody could see it coming and it leaves you screaming for season 3.    Roll on Sunday!!!   

Awww...kaffy,you must take your phone off the hook, batten down your hatches and make sure you don't answer your door as you don't want anyone spoiling a minute of it.It is fabalus. 

Sezit
Originally Posted by Ells:

Do NOT miss Sunday's episode.  I've been wondering how they were going to stretch a 3rd season out of this and the finale is a great set up for it.

 

That's what I said to Mr C when we watched Sundays episode.  To be honest I'm losing interest in this Brody/Carrie/Abu Nazir story line.  

Cinds

The second season of Homeland  began with 'The Smile' - Carrie's half-maniacal grin as she gets back into the swing of  things at the CIA - and ended, this week, with another smile. Mandy Patinkin,  while we've never doubted his brilliance, was so flat-out gut-wrenching in this  episode that he outshone regular show-stealers Danes and Lewis, and his face  upon seeing Carrie alive and well was a sweet, uplifting note on which to end a  very dark finale.
As ever, there were logical leaps aplenty (we're pretty  sure, for instance, that you can't just park outside a CIA building in which a  high-profile memorial is being held without having your car searched first) but  unlike in the past few weeks, it really didn't matter. This was a return to form  in the best way possible, taking Homelandback to its old formula in  which the character writing is so compelling that the holey plots barely  register.

Homeland S02E12: 'The Choice'

So, Estes is dead, the Waldens are  dead, and more than 200 other people are dead thanks to a long-con plot  masterminded by Nazir. We love this revelation, not only because the explosion  and its aftermath were so beautifully handled, but because it justifies so much  of the weird plotting and seemingly nonsensical character twists from the past  few weeks.
Nazir's uncharacteristically low-key assassination of Walden  was just laying the groundwork for this much grander, much more public act. His  letting Carrie go in 'Broken Hearts' makes sense because as far as he was  concerned, she'd be killed along with Estes at the memorial soon enough anyway.  His weird horror movie shenanigans in the tunnel last week make sense because he  needed to ensure the agents would have no choice but to shoot him. And by the  looks of it, Nazir never really forgave Brody for turning on him, but has been  plotting to frame and murder him ever since.
So while it's theoretically  still possible that Brody is playing Carrie, has been working with Nazir since  their handshake in 'Two  Hats', and was behind the bombing in this episode, it would diminish what's  otherwise a pretty redemptive piece of writing. And we just can't think of a  good reason why Brody would draw Carrie's attention to his car like he did, if  he were really responsible.
That scene was pure adrenalin - first the  illicit, vaguely twisted thrill of Carrie sneaking out to kiss Brody during the  memorial service for a man they both know he killed, then the brilliantly sudden  shock of the explosion itself, and the 180-degree turn of Carrie holding Brody  at gunpoint, refusing to believe him, desperately wanting to, and gradually  comprehending the logic of what he was saying.

Homeland S02E12: 'The Choice'

We're sure there'll be plenty of  viewers who found the extended Carrie/Brody cabin lovefest a little dull, but  we've got a hopeless romantic streak when it comes to these two. There was  perhaps one scene too many of the two of them staring into each other's eyes and  discussing their theoretical future, but they really are so natural and sweet  together at this point, which is remarkable considering just how dark and  emotionally violent their relationship's been. But he wants to be her full-time  cabin boy! And while we were suspicious at the time, in retrospect it looks as  though he really meant it when he said: "My only real plan for now is to be a  good person again." So now, following their grandiose and really sort of  gorgeous farewell on the roadside (it was a very shrewd choice not to use any  music in that scene), Brody's a fugitive and has been cast in a completely new  role on the show. Having been the dangerous loose cannon up to this point, he's  now the wrongly-accused outcast fighting to clear his name. In fact, this  episode was packed full of role reversals that should make for a fascinating  third season. After struggling for so long to prove that Brody was a terrorist,  Carrie will now be hell-bent on proving that he isn't.
And Saul was put  in the position Carrie was in last season, being told "You sound a little  nutty," when he tries to warn a colleague about the Brody assassination plot.  Carrie and Saul's relationship hasn't been touched on much since the very early  episodes of this season, so for it to become just as much of a focal point as  Carrie/Brody here was really satisfying.
Carrie and Saul's was the best  kind of argument in dramatic terms, because you could completely understand  where they were both coming from. He's right to worry that she's throwing her  life away for Brody, and she's right to want a life outside of the CIA. But "I  don't want to end up like you," still stung, and when Carrie's presumed dead you  can read so much into Patinkin's anguished expression; the awful prospect that  this ugly row might have been the last conversation they ever had.

Homeland S02E12: 'The Choice'

While we're not entirely sure what  motivated Quinn's change of heart, he had a Hamlet moment and decided not to  shoot Brody while he was praying by the lake, as poignantly symbolic though it  would have been. And it was damn satisfying to see Estes not get what he wants,  and even be called the bad guy. There was really no effort made to make us feel  even slightly sad about his demise; even when he told Saul that the  assassination was off, he lied to make himself look better by saying that he  called it off. RIP, David Estes, douche to the end.
This has been a  patchy but frequently outstanding season of what remains one of the best shows  on television, and 'The Choice' is about as redemptive a finale as we could have  hoped for. It turned Homeland on its head yet again, tearing down the  status quo and leaving space for a new one to be built from the ground up next  season, with Saul in charge and Carrie presumably working in secret to clear  Brody's name. But for now it's hard to think beyond the final shots of this  episode, and their haunting combination of horror and joy - the bodies laid out  in perfect rows, Saul reciting the Kaddish and Carrie's dreamlike reappearance.  Well played, Homeland.


Final  thoughts: - So... that whole hit and run storyline really was just a  pointless waste of everybody's time and energy, then. Cool. - Say what you  will about Carrie and Brody's unhealthy relationship, but their sneaky make-out  sesh probably saved both their lives. Make love, not war! - On a similar  note, Chris Brody's never-ending schedule of soccer and karate finally had a  purpose! Had it not been for his soccer match, Jess just might have gone along  to the Walden memorial to pay her respects. - Saul just chugged that carton  of milk without even taking a breath, didn't he? The Bear needs his calcium. - We kept expecting to see Quinn once more after the explosion, because you  have to imagine he's feeling pretty wretched right now. As far as he knows, this  entire massacre would have been prevented if he hadn't backed out of the  assignment. - Saul looking through the casualty list on an iPad was an  impressively morbid bit of product placement. - We're not really sure there  was much in the way of a point to the Brody/Mike scene, except that it allowed  Mike to find out about the break-up (which Jess would have told him about soon  enough anyway). It's good that Mike's going to be around, though - that poor  family are going to need a whole lot of huevos rancheros to get over this  trauma. - In all seriousness, poor Dana. We've been hard on her this season,  because she's been increasingly poorly written and stuck in a dead-end plotline  that required her to be constantly bratty without any of the nuance she used to  have. But now Finn is dead, and her father is (as far as she knows) a terrorist,  and the media are setting up camp outside her house. If she's even around next  season, we won't judge her for acting out. - Brody juggling potatoes. That  is all. - So going into next season, the big unanswered question is: who  planted the bomb and moved Brody's car?

FM
Originally Posted by KaffyBaffy:

Yep - Saul needs to explain himself PDQ!  I'm sure he's got his reasons and we'll love him again soon.    Meanwhile, I'm more surprised at this! (I caught a bit of Elaine Page on R2 a little while ago and didn't realise he had this in his background!)

Blimey, he looks different!

FM
Originally Posted by Supes:
Originally Posted by velvet donkey:

Well the first two have been plodding non events for me so it better pick up fast.

I agree Velvet, just finished catching up on the 3 episodes I missed whilst on hol and 1 and 2 were v, v disappointing, back to normal service in 3 with Brody back 'though

It was a bit better.. but I can't believe we're three episodes in already.     I'm beginning to think they should never have killed Abu Nazir...

Kaffs
Originally Posted by KaffyBaffy:
Originally Posted by Supes:
Originally Posted by velvet donkey:

Well the first two have been plodding non events for me so it better pick up fast.

I agree Velvet, just finished catching up on the 3 episodes I missed whilst on hol and 1 and 2 were v, v disappointing, back to normal service in 3 with Brody back 'though

It was a bit better.. but I can't believe we're three episodes in already.     I'm beginning to think they should never have killed Abu Nazir...

Absolutely Kaffs...let's see what tonight brings

FM

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