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I quite liked Callas's wailing and screeching.  I like the hysteria when you're once removed.
Theatrical banshee - from a distance! 


I think I really (really) vommed at the wanking off over the great tenors.  No doubt technically accomplished voices but as much soul as a freshly laid dog turd on Range Rover. 

Sort of thing Michael Parkinson would say was the high point of music.  Ergo, obviously wrong.
bateman
Reference:
No doubt technically accomplished voices but as much soul as a freshly laid dog turd on Range Rover.
lol well put. That's the thinng about opera it's all about technical vocals. I would't say it has no soul I would just say it does nnot have mass appeal which is markedly differet. My keyboard cann go f*ck itself in a cornnnnnner somewhere by the way.
Prometheus
I like opera - but not all opera. In the same way that I like books, but not all books, or I like television but not all television.
One gets to know pretty quickly which composers or performers one likes to listen to, and which one avoids.
I cannot stand  Puccini, or Handel or Wagner. But I love Bellini, Rossini, Donizetti, Verdi.

I like the bel canto style of singing which Joan Sutherland did so exquisitely, with all the fancy-wancy, trilling and vocal fireworks. I also like melodies I can recognise. I don't like just a cacophony of sound.


I see The Pirates of Penzance was mentioned further up the thread ^^^
I consider this to be light opera - very light opera - but still splendid stuff. It doesn't havew to be dirgy and stodgy.
This one certainly isn't. This is a smashing, rollicking version of a scene from the Pirates of Penzance.

brisket

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